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The Dead Sea Scrolls: A Biography: Lives of the Great Religious Books

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Listening Length: 5 hours and 41 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: January 24, 2013

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Language: English, English

ASIN: B00B5I7PHC

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Collins does a particularly good job of handling with remarkable objectivity the many controversial issues related to the scrolls and their interpretation. Where he has an opinion, he is clear in stating that it is his opinion. I was particularly struck by the way in which he addressed John Strugnell's situation. This is the best overview of current scholarship on the DSS that is available to the general public in my opinion.

Collins' book covers two stories. There is the story as portrayed in the scrolls themselves, the history and secrets contained within the fragmented manuscripts. For example within its texts are some of the earliest Jewish writings, stating laws about diets, the clean, and the unclean. Prophecies written 2000 years before Stephen King's "The Stand" chronicle the wars between the Children of Light and the Children of Darkness. While these texts have been translated in other books, Collins' work also offers a history of the discovery of the scrolls themselves. While most of the general populace believes the texts exist as one large document discovered in one cave at a single moment in time, Collins reveals that many texts resided in many different areas apart from the cave where the first was unearthed, Some ancient manuscripts believed to be related to the texts found in the first cave were in fact hiding in other areas several miles away in some instances. Collins goes on to relate the first scholars who studied the texts, and in particular how Jewish scholars were excluded from examining the manuscripts because of political reasons. These original scholars published their findings and theories about the texts in the late 1950's and early 1960's, some of which have been debunked by contemporary and later scholars. New realizations have been revealed even as late as the 1980's and 1990's. Overall a very enjoyable and insightful look at one of the greatest archeological finds concerning religious literary tradition.

In retirement, I have become an amateur theologian--trying to educate myself on the bible and religious scholarship. Collins has become one of my favorite authors. He is scholarly, a very good writer, and a clear thinker. He has many fields of expertise, and one is the Dead Sea Scrolls. I found this book very educational on the history of the discovery of these important manuscripts and the tangled history of their availability to scholars. It is a short and very readable book. I would have preferred a little more of the contents of the various manuscripts, but that is much too broad a topic for Collins and his expertise for such a short book.If you know little of the discovery and availability of these important biblical manuscripts, as I did, this is a great place to start.

The Dead Sea Scroll exibit is currently in town and so I wanted to read a few sources to brush up on my previous understanding of the scrolls. (I visit Israel every year and have had a chance to hike up to Cave 1 the past three years.) Collins does a good job laying out the information and nuances of the scrolls. As one previous reviewer noted, the short book is a bit tedious/dry in some places, especially for a resource that I believe is more meant for beginners. But I found no fault with the information, based on my previous knowledge, and think this would be fine for the average person who's looking to understand more.

John Collins is an experienced and recognized Old Testament scholar with lots of contact with the Dead Sea Scrolls. Heard him give a private dinner presentation recently in New Haven that summarized the major themes of his new book on the Scrolls. Had already purchased the book but hadn't read it at the time that I heard him in person talk about the Scrolls. The "biography" approach is extremely helpful in presenting the varied history of the Scrolls and in understanding the different custodians of the Scrolls. Of course, there are scrolls and then there are scrolls within the Scrolls that make for highly interesting and intriguing reading. Great book for the first-time student as a survey and the long-time observer with reminders and clearer details about the history of the Scrolls.

I bought this book for my mother to read and share with her book club. However, I must admit that before I give it to her I am carefully sneaking and reading it myself. I heard about this interesting history book on my public broadcasting station. And I couldn't wait to purchase it. It's a good book for those interested in religious history. Fascinating. In addition, this is an attractive, nicely sized hardback book that I think my mother's aged hands will enjoy holding.

I knew little to nothing about the Dead Sea Scrolls, and found this little book to be very informative -- a very good starter for someone who wants to know the basic history about them and their discovery. The book is a bit tedious in places, but overall, I found it to be a very enjoyable read.

Have read a number of books, articles on Dead Sea ScrollsThis one is concise yet packed with solid facts. Greatdiagrams and photos too. Definitely one I use for mystudents. Not too expense keeping in mind students'budgets. Yet covers all the basics. I stronglyrecommend this current text.

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PDF Ebook Comprehension Connections: Bridges to Strategic Reading

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About the Author

Internationally-known teacher and conference speaker Tanny McGregor brings nearly 30 years of professional experience to her popular sessions. Her workshops are known for their creative and engaging style. Originally an elementary school teacher, Tanny has served as a literacy coach, gifted intervention specialist, and preK-12 staff developer. She is the author of three books, Comprehension Connections (Heinemann, 2007), Genre Connections (Heinemann, 2013), and her newest release, Ink & Ideas (Heinemann, 2018). Tanny was also a contributor to the seminal work, Comprehension Going Forward (Heinemann, 2011). In addition to writing and consulting, Tanny serves as a teacher on special assignment for West Clermont Schools in Cincinnati, Ohio. She and her husband Miles have four daughters and two grandsons. Follow her on Twitter @TannyMcG!

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Product details

Paperback: 144 pages

Publisher: Heinemann; 58962nd edition (February 7, 2007)

Language: English

ISBN-10: 0325008876

ISBN-13: 978-0325008875

Product Dimensions:

7.4 x 0.4 x 9.3 inches

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Average Customer Review:

4.8 out of 5 stars

118 customer reviews

Amazon Best Sellers Rank:

#46,888 in Books (See Top 100 in Books)

I am a literacy leader at my school, and I just purchased one of these books for every grade level in the school. I also talked our county-wide literacy coach into purchasing a copy for every literacy leader in our district. I cannot say enough about how fantastic this book is. It is jam-packed with great strategies for introducing and/or reviewing reading standards. They are easily adapted for all elementary and even middle school grade levels. This book and Genre Connections should be on every reading teacher's professional library shelf!!

I loved this book! I devoured it on a camping trip--a place where I usually avoid work related reading--and found myself planning lessons and how I could incorporate these ideas and lessons into out mandated, less-than-stellar, curriculum. I did my first lesson, and the kids really enjoyed it. The concrete object lesson seemed to really resonate with them.

I've heard many teachers talk about Tanny McGregor's book for several years. I finally bought it and LOVE IT! The ideas are incredible and easy to adapt and implement in the classroom. It gave me different ideas to use and helped me to see things from a students perspective. I recommend this to anyone who is trying to make concrete connections for their students.

This book is just...... wow. I feel like it should be way more known in the teacher crowd than it is. Every elementary teacher should have this book. I kept reading chapter after chapter getting more and more excited, thinking-- this is what I've been looking for all along! Tanny takes each "big idea" comprehension strategy-- matacognition, schema, etc. and gives you a handful of perfect lessons to teach it. When I say perfect, I mean PERFECT. They are so engaging and cute, yet drive the idea home so no student will ever forget it. The lessons all start with something concrete, like paint color samples, salad bowls, a lint roller. These props are the things that make the lessons stick in kids' minds, yet they are the things that I am never creative enough to come up with on my own. After the idea is introduced with this concrete object, students explore it with wordless picture books and then move on to texts. I can't remember the last time I've been so excited about a teaching book. It definitely goes in my top 3 teaching books ever. (The other two are The Daily 5 and On Solid Ground.)

Every elementary teacher needs to buy this book! Gives you a clever way to introduce reading skills like: inferring, predicting, schema, visualizing

I am very impressed with Tanny's books. I have learned a lot about the teaching of reading, and she is a fantastic teacher to teachers. I would recommend this book to anyone who is a teacher or intrigued by the process of learning to read and teaching to read.

I didn't quite realize the little nugget I had purchased until I was about 35,ooo feet in the air!I bought this book at the recommendation of a teacher on my grade level near the end of the school year. I skimmed it and decided it could wait until summer vacation. I guess the black and white photos didn't entice me enough to read immediately. It was tucked into my carry on bag and I pulled it out after the flight attendants made their way up and down the aisle with drinks and pretzels. Instead of quickly reading for tidbits, it was clear that I needed to take careful notes, ask questions, and create a list of activities to engage my students into thinking about their thinking.The author creates a framework in which teaching strategies isn't complicated, abstract or boring. Before the students get into the text and begins inferring, visualizing or identifying their schema, Ms. McGregor has given lesson ideas, lesson dialogue and lesson visuals that are fun, mysterious, personal, interactive,and engaging. I also love that her lessons do not need an expensive setup to complete. Any prop or materials she suggests in teaching strategies is something easily obtained for low or no cost.I read half of the book during a California to Texas flight. It was simple to read but full of insight, ideas, and resources that I had not considered using when teaching comprehension strategies. I wish she had mentioned a few more picture books she has used with particular success for each strategy. Now that I have this big picture of comprehension strategies in my head, I imagine new ideas for lessons will come up no matter what book I am reading. It's just nice to have a cheat sheet to start with.Excited about using this book as a jumping off point this year!

There are few books on comprehension out there that are applicable to primary and intermediate teachers. This is one of those books. These are more than just great ideas and lessons. Tanny takes you through all the steps in the "gradual release of responsibility model".What kind of gems await you in this book? How about an object lesson on metacognition that uses a salad to show how real reading is a mixture of the text (lettuce) and thinking (tomatoes). Just like a salad is boring with just lettuce, so is reading without thinking.

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File Size: 1683 KB

Print Length: 352 pages

Publisher: Polis Books (September 12, 2017)

Publication Date: September 12, 2017

Language: English

ASIN: B06X1GG9T7

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Amazon Best Sellers Rank:

#656,405 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have just finished reading “Dark Chapter,” having stayed up late last night to complete it. I had to wait until 12:00 AM June 1st to receive it on my Kindle here in the U.S. Winnie Li did a remarkable job of writing this story based on a true dark episode in her life of a brutal rape in the afternoon during a hike in Belfast.I loved the way she was able to capture the story alternating between her report of the devastating incident and her feelings with that of her rapist a 15 year old troubled teenager. She being a Taiwanese American Harvard graduate living in London with a great sense of adventure and love for travel and he being an abused child with no education leading a criminal life. She included a good part of the story to the perpetrator to understand his impoverished wretched life.I felt her pain and the great support she received from her friends, the police and medical people in Belfast. And also the letdown from many in the London medical community while she went through her recovery which will probably leave scars for a lifetime.She has a message for everyone about rape, how it’s handled and the many more unreported rapes that never get reported throughout the world that go without justice being served. She also shares how she was able to get on with her life and sense of adventure.The author is a very brave and talented writer to bring this novel to fruition after many years of working on it. I recommend it to all readers and to bookclubs as there is so much to discuss about it.

Nobody can truly understand the experience of a rape survivor. Winnie Li's novel gives us a chance to try, with great effect. The story is a thriller and a page turner, bringing you into Vivian's life and that of her attacker, bringing you into this uniquely traumatic and heart-wrenching experience, bringing you into the unknowns of the recovery process, making you wish you could reach into the pages to help. It's painful, l but in the end inspiring, to know that Li's own resilience and strength helped to bring you this novel, helped to explain what it is like for a woman to experience sexual assault, to interact with the criminal justice and social support systems with their warts and flaws, to see her life and relationships in a whole new way. And in the end, you wish that everyone else could read this story because the world will be a better, more empathetic and supportive place if you do.

I can't praise this book enough. Not just that it addresses head-on one of the biggest social issues facing us today, but it's also a courtroom thriller and drama that rivals Grisham on his best day. Don't read this book if you don't want to think, want to feel, want to get angry or want to hope. It's that good.

I've never read a book quite like this. Although the subject of rape is by nature both awkward and traumatic, the book itself reads like a dance. First, you are introduced to the protagonist Vivian, then passages later to the villain Johnny. Their lives at first seem worlds apart until they collide into the horrific moment in the park. From that moment onward, it's like a new timeline is created with the intersection of their lives. There are thoughts of "what-if's" and "how could this happen?" Despite the nightmare, their lives must continue to unfold. Li has crafted a thoughtful and provoking book that opens up a safe space for discussion of sexual assault. Inspiring.

Poignant and brave novel that depicts a woman's rape and the aftermath of all she has to endure, the before and after of this life changing event. But what makes this story particularly arresting is that half the novel is also told from the rapists pov and allows us to understand what circumstances shaped this boy. The novel does not minimize or excuse the depravity of what he did, but it does allow the reader to see why he is this way in the first place.

Li has accomplished something really special in this novel -- it's gripping and frequently disturbing, but it's also empathetic and has thoughtful things to say about how our society handles sexual violence. I couldn't put it down.

Winner of the Guardian's 2017 "Not The Booker Prize" in UK. A voice before the #MeToo and #TimesUp.This is a page turner crime novel. Refreshing, skillful written fiction based on author’s personal tragic assalt while hiking in Belfast, Northern Ireland.It’s suspense and sad and bravery and empowering. A must read for all genders.

A riveting and disturbing story, it is very well written. The characters are very well developed They are complex and troubled people in a complex, troubled world. Rape is of course a difficult subject and this novel looks at it in an insightful manner and explores it from every angle.

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Free PDF , by Stephen E Crockett

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, by Stephen E Crockett

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File Size: 648 KB

Print Length: 116 pages

Page Numbers Source ISBN: 1979273863

Simultaneous Device Usage: Unlimited

Publisher: Kindle Direct Publishing (December 6, 2016)

Publication Date: December 6, 2016

Sold by: Amazon Digital Services LLC

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ASIN: B01MYX17O0

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Amazon Best Sellers Rank:

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Stephen Crockett is a really talented writer. This book shocked me, made me cry, and gave me hope. In the end it's a happily ever after story--but he does make you look at your own disappointments and how you choose to deal with them. Stephen, even though you may not realize it, its your tender heart and true humanity that led you to this place. Many harden their heart, make tons of money, have all the outward trappings and appearance of success, yet they are shells who chose to stick it to others to deal with their disappontments--you didnt lose your heart. Jesus loves you --let Him catch you. Thanks for sharing your story.

For those who like an inside view of someone's personal hell with addiction, this life story is it. Great companion to his black tar book. Very proud of the guy.

You see them on street corners, hiding in doorways, furtively watching, waiting for their next fix, selling drugs, or perhaps they have just had a shot.When you see drug addicts or alcoholics on the streets, or in the dark corners of bars, do you ever wonder why, and how, they became addicted?What made this person take that particular route through life, and at what stage couldn’t they say no?Perhaps you walk by pitying them, looking on with distain, smugly thinking that you will never be in their position, you would never become an alcoholic, or a drug addict. If you do, just stop and think. Who are you to judge? There is a very true saying “You cannot judge a person until you have walked a mile in their shoes.” As we go through our lives we make decisions, some very minor, or so we think at the time, however, everything we do comes with consequences. The face we put on to the world is not necessarily the person within, many of us hide behind masks. Sometimes this is done in the knowledge that we want to be deceptive, mislead, and bend a person to our will. However for many others it is a necessity, the only way to deal with the demons within, self-preservation.Stephen Crockett life changed at a very early age, when he could no longer endure being surrounded by religious fanaticism, made to attend church, and being beaten if he asked questions.It was in his 18th year however, just before graduation that his drug and alcohol abuse really took hold. Stephen had tried drink and marijuana before, however, whilst his fellow class mates were getting ready for the graduation photo, Stephen was sitting in the car park, passed out drunk. He missed his graduation ceremony because he was in hospital, recovering from asphyxia, and acute alcoholic poisoning.Missing that ceremony seems to be a turning point, in his own mind he became invisible, unworthy, from then on he began his quest to blending into the background, suffering tremendous feelings of disappointment in himself, and depression.His decision to leave the countryside for the town opened his eyes to a whole new world, and he became addicted to Heroin, the mother of all illegal drugs, which claims more lives than all the others put together. Stress and depression become his monsters in the closet, as trapped in his miserable existence he turns to drugs and alcohol. Soon he becomes part of the underground scene, dealing drugs, and living from fix to fix, in a drugs and alcohol induced haze.This book, and its companion ‘Black Tar’ has opened my eyes to a world I knew nothing about. Stephen has a very frank way of writing, and in his own unique no holds barred style, he talks openly about the addiction he has had for decades.What will the future hold for you if you go down the same route? Well, as Stephen so graphically explains, you will lose everything – no not just physical things, but yourself, self-worth, friends, and so much more.So what has become of Stephen now?Is he drugs free, and if so how did he do it?Find out by reading his compelling story - I guarantee you it will be an eye-opener!I downloaded this book using my Kindle Unlimited subscription.

This book bothered me. I read the author's book Black Tar first and it was an engaging story. But this book contradicts what the author wrote in Black Tar....he said he never had more than "just a girlfriend"....in Black Tar he was engaged. This book is not a diary...it is 100 pages of rambling and musing. The author uses the word "you" excessively when he means "me". He does not speak for all addicts. Also, the lack of grammar is very distracting from the writing. He does not know the difference between your and you're nor the difference between a plural and an '.

I've read all his books. The guy knows what he is talking about. Feel proud that he recovered. The best of his books is Black tar.

Gave good insight into the mind of an addict. Sad story.

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PDF Ebook The Ugly Laws: Disability in Public (The History of Disability)

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Review

“Sometimes you can judge a book by its cover. The stark photo by Paul Strand illustrating The Ugly Laws: Disability in Public conveys perfectly the realities and subtleties described in its pages—including the fear, pity, and revulsion with which the public so often regards those with physical disabilities.” -California Lawyer"This book is, as Schweik convincingly caharacterizes it, 'a history of the harm done by—let us allow the phrase some force—lack of regard.' It provides useful background for understanding current efforts to encode and enforce protections for the disabled and disadvantaged."-Marilyn Chandler McEntyre,The Christian Century“Shweik combines a sophisticated grasp of disability, critical race and social theory, extensive archival and legal research, close textual analysis, and broad reading in a wide range of historical and other literatures. Her account brings the insights of disability history and theory to bear on systems of exclusion, subordination, and othering more generally in American life as the United States entered the twentieth century... This is a powerful book, essential reading for scholars of disability, race, gender, sexuality, immigration, urban, legal, social movement, and twentieth-century history more generally—indeed, for anyone concerned about law and its power and the limits of that power to define borders of belonging.”-American Historical Review"The Ugly Laws is a focused and deeply mined interrogation of a familiar cultural figure—the unsightly beggar—that has not until now been critically examined. Schweik is a virtuosa of both close reading and the big picture, merging historical scholarship with analysis of the discursive elaboration and cultural work of the unsightly beggar figure. The Ugly Laws is an essential text." -Rosemarie Garland-Thomson,author of Extraordinary Bodies“Overall, this is a thorough, careful, and sensible work, which is both fascinating and also moving as an account of social oppression of disabled people.”-Metapsychology Online Reviews“What is ugliness, and how ugly is too ugly? Perverse though such discrimination might seem today, Schweik suggests that re-examining such laws ‘might prove very useful as a way of foregrounding the inevitable ambiguity of the category of ‘disability.’”-The Chronicle Review"The range of concerns illuminated by Schweik's materialist and historicist focus on the ordinances proves that The Ugly Laws has succeeded, as the book's poignant last words put it, in showing how much more we understand when we begin to face the history of disability'"-Jean Franzino,Register of the Kentucky Historical Society“In analyzing the ugly laws, Schweik reveals how individuals have come to define their identities around work and self-sufficiency, and how the failure of those with disabilities to do so can result in character assassination of these individuals as frauds and morally bankrupt, diseased tricksters and thieves. A subtle and complex study.” -Choice"Schweik uses ‘unsightly beggar’ laws in American cities in the late nineteenth and early twentieth centuries to explore fundamental questions about disability, race, gender, and class in new and often startling ways. The book is beautifully written, delightfully thought-provoking, and deeply researched. It is quite honestly the best work of scholarship I have read in a long time." -Douglas C. Baynton,author of Forbidden Signs“Susan Schweik... has written a brilliant study of the ugly laws that illuminates this largely forgotten corner of the American history of body impairments, aesthetic norms, and urban spatial regulation. Schweik’s book serves, too, as a powerful demonstration of the vast potential of disability studies, like gender studies and queer theory with which it is frequently allied, to enlarge and to transform our understandings of what is frequently taken for granted as natural, to shed new light on the subterranean recesses of culture, and not simply to assist us to think “outside the box,” but to question whether there needs to be a box at all... The riotous encounters she analyzes, with their mixture of menace, chaos, conflicting cultures, and colorful characters, paint fascinating, Dickensian word pictures that bring to life the illusive, urban crowd and its antagonists in compelling and analytically pointed ways.”-Journal of Social History

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About the Author

Susan M. Schweik is Professor of English and co-director of the Disability Studies Program at the University of California, Berkeley. She is the author of A Gulf So Deeply Cut: American Women Poets and the Second World War.

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Product details

Series: The History of Disability

Paperback: 443 pages

Publisher: New York University Press (August 30, 2010)

Language: English

ISBN-10: 0814783619

ISBN-13: 978-0814783610

Product Dimensions:

6 x 1.1 x 9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#1,120,292 in Books (See Top 100 in Books)

The Ugly Laws is a very thorough and interesting historical account of how the disabled were treated and mistreated in America's past. It does have its shortcomings, however. For one thing, it is very verbose and repetitive. It also delves too deeply into side issues such as language semantics and characters in fiction literature. It would have been much better if it had more stories of real people affected by the ugly laws, such as Arthur Franklin Fuller. Still, in spite of its problems, The Ugly Laws captured my attention and kept it for the duration of my reading of it.

This book was one that scared me. Being a victim of polio I could easily have been put away.

This book has two faces.On the one hand, it reflects an enormous amount of original research, locating obscure local ordinances from around the country and relying on important archival sources. Kudos to the author for not merely resting on the research of others. I am keeping this book on my shelf as a reference.But the book is almost impossible to read cover to cover. Instead of just starting with a theoretical framework and using that theory (or theories) to describe the results of the research, the theory overwhelms almost every chapter. And the author seems to continually shift perspectives -- trying in the same page (and sometimes the same paragraph) to describe the enactment and enforcement of the laws as a historical events, critically examine the motives of the actor under various perspectives, and also explain how the incidents were used and understood in the modern disability-rights movement. While each point is important, mushing them together makes it hard to understand anything.

This is utterly appalling that people were treated so inhumanely due to have disabilities! I'm amazed at how humanity can be towards others that are different from themselves and then to pass laws against innocent persons is unbelievable. My rating does not reflect the author. It's like watching the news and being turned off by all the crime being reported. I would suggest this book to others. I'm keeping it in my library.

Ugly Laws is an important contribution to disability studies. It is carefully researched, well written and explores and generates important ideas. It is a model of the type of scholarship that will advance this exciting relatively new field.

All I can say is buy it! You won't be disappointed only intrigued. Shipped fast and packaged nicely! A Must Read!

Fascinating and important read!

In "The Ugly Laws: Disability in Public", Susan Schweik writes, “My aim here is threefold: first, to provide a fuller account of the story of unsightly subjects than has yet been written; second, to rethink aspects of U.S. culture through the insights of disability theory (and in turn to rethink aspects of disability studies through an encounter with the history of the American ugly); and finally, to illuminate the conditions of disability – and municipal law’s constitution of those conditions – in the late nineteenth century and at the century’s turn, so as to better understand law, culture, and disability in the present” (pg. 2). Schweik believes that “it was probably more the norm than the exception for this law to show up on the code books of American cities sometime in the late nineteenth or very early twentieth century” (pg. 3). Those who implemented the law did so in a manner suggesting that disability was the problem of individuals, rather than something requiring a reworking of “broader social inequalities” (pg. 5). In her work, Schweik draws upon the ugly law terminology coined by Marcia Pearce Burgdorf and Robert Burgdorf Jr. (pg. 7). Others historians, such as Rosemarie Garland Thomson in her "Extraordinary Bodies", examined the law in a passing manner, but Schweik forefronts it, focusing specifically on Chicago’s 1911 law, which has taken on mythic status in disability studies. In her focus, Schweik chooses “to embrace a model of disability, broadly construed, as a political process. Hence, [she focuses] on a particular form of political behavior, a blatantly conventionally political moment, the passing and implementation of a law, in order to understand that political event in the context of modern disability formation” (pg. 11).Schweik writes of the intersectionality of her model, “Gender, race, sexuality, religion, and national identity are inexorably intertwined with disability and class in the culture(s) of ugly law, producing a variety of ugly identities, both at each specific moment of ordinance enforcement…and in the broader social order that framed, ignored, fought over, and accepted the state and city codes” (pg. 141). The laws’ most flagrant violation of due process involved the interpretation of female beauty. The laws examined women’s “lack of attraction and beauty,” as well as “leanness and stoutness, shortness and tallness,” if they were awkward, the condition of their hair, the size of their breasts, and whether or not they dressed pleasantly (pg. 145). In attempting to limit the mobility of women, the laws created categories for which any women could face arrest. Schweik continues, “Cities across the country…embedded the ugly law specifically within a matrix of codes concerning local purity: decency and exhibition, gender and sexuality…These patterns of codification make clear that the ugly law was intrinsically tied to laws of sex and gender” (pg. 144). While male vagrancy and “ugliness” usually involved missing limbs or severe injury, many laws defined female ugliness in terms of variance from idealized female beauty, equating the display of these differences with prostitution and other women whom society viewed as out of their place (pg. 145). These laws, which defined any physical or sexual aberrance as criminal, reinforced notions of white male superiority.

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Ebook Jade Life: An Englishman’s love affair with China's national treasure, by Andrew Shaw

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About the Author

Andrew Shaw worked for the BBC General News Service. In 2008, he moved to China, learned to carve jade, and in a few short years became a gold medal-winning master carver.

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Product details

Paperback: 160 pages

Publisher: Earnshaw Books; None edition (March 1, 2019)

Language: English

ISBN-10: 988855218X

ISBN-13: 978-9888552184

Product Dimensions:

5.8 x 0.4 x 8.2 inches

Shipping Weight: 7 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#334,669 in Books (See Top 100 in Books)

Andrew John Shaw in Jade Life successfully has accomplished at what many English language scholars failed when writing about Chinese jade. Andrew has interjected himself as an envoy between east and west in the universe of jade. No author before him has so poignantly placed the reader into the cacophonous jade marts and into the alleyways where diligent jade carvers eke out livings in minimalistic shops. Also bared to the reader is Andrew’s own avid passion acquired late in life in which he becomes an accomplished jade carver in his own right as well as an eminent figure of the jade universe in both the east and the west.

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Free Download Howards End (Barnes & Noble Classics)

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About the Author

Mary Gordon is a McIntosh Professor of English at Barnard College. Her best-selling novels include Final Payments, The Company of Women, and Spending. She has also published a memoir, a book of novellas, a collection of stories, and two books of essays. Her most recent work is a biography of Joan of Arc.

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Excerpt. © Reprinted by permission. All rights reserved.

From Mary Gordon's Introduction to Howards End Howards End is a novel for the likes of us. That is to say, for you and me: you because you have bought this particular book, and I because I am writing about it, and because I love it. You may be buying the book for a variety of reasons; you may be in a train station or an airport or browsing in a bookshop on a rainy day, hoping for many things: enlightenment, friendship, amorous adventure, cappuccino. You may want to chip away at that mountain of the canon you have not read. You may be buying it because you must, because you have been told by a teacher that Howards End is something you must read in order to pass a course. But however disparate all our motives are, whether our relationship to the book is, like mine, that of a loving old friend, or perhaps as yours may be, as a fearful or hopeful or wary stranger, Forster makes us a "we" with the novel's very first sentence: "One may as well begin with Helen's letters to her sister." We are part of a company; it is a formal one to be sure-the impersonal pronoun "one" is used, but the "we" is implied, because we are being shown something intimate, domestic-Helen's letters to her sister. We don't know Helen's last name, or anything about her, but we are immediately included in her private life. Yet the first sentence of her letter to Meg might serve as a warning to readers who are about to become one of the Howards End "we": "'It isn't going to be what we expected.'" Edward Morgan Forster lived a life devoted to the ideas of decency, humaneness, the civilized private life in which the disparities of the human condition might be resolved by honesty and goodwill. At the same time, he was aware of the dark goblins that Helen, and Beethoven, found in the symphony that forms a meditation in the beginning of Howards End. Tragedy struck Forster's life early; his father died in l881, when he was only two; he was brought up by a mother and aunts, lived quietly with them until he was exiled to public school, a nightmare for him. Rescued by the University of Cambridge, he was taken up by a brilliant group of young men (among whom he was considered one of the least brilliant) who gathered around the philosopher G. E. Moore. Moore's ideas stressed the primacy of personal relations and the appreciation of beauty in a good life. The members of this group included Lytton Strachey, John Maynard Keynes, and a Liverpool Jew named Leonard Woolf who would marry Virginia, sister of another member, Toby Stephen. He studied the classics; traveled, particularly to Italy; sought minor employment. Between 1903 and 1910 he wrote four novels: A Room with a View, The Longest Journey, Where Angels Fear to Tread, and Howards End. He finished a novel about homosexuality, Maurice, in 1913, but did not publish it in his lifetime. There was, therefore, a publication lapse of fourteen years, and then in 1924 A Passage to India. And then no novels for the rest of his long life. He was made a member of King's College, Cambridge, and died there in 1970. How to explain the early prodigiousness, followed by the long silence. Is it that the world he knew was erased by the trauma of World War I? Virginia Woolf assures us in her essay "Mr. Bennett and Mrs. Brown" that in December 1910, human nature changed. Did the change paralyze him? Or was it that he felt silenced by his inability to write honestly about homosexual life? Howards End was published just before Virginia Woolf's December 1910 sell-by date, so perhaps the assurance of the voice is the assurance of the full maturity of a way of life that knows itself about to be obsolete.

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Product details

Paperback: 334 pages

Publisher: Barnes & Noble Classics (June 1, 2003)

Language: English

ISBN-10: 1593080220

ISBN-13: 978-1593080228

Product Dimensions:

5.2 x 0.9 x 8 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

765 customer reviews

Amazon Best Sellers Rank:

#1,928,747 in Books (See Top 100 in Books)

A Room with a View is a great novel that offers insight into society during the early twentieth century. From the beginning of the book, Lucy Honeychurch, the protagonist, is torn between what is socially acceptable. This is illustrated by the love triangle between Lucy, George (her true love), and Cecil (her fiancé). George is of a lower class than her, and yet, he is the one she truly loves. Cecil is her pretentious, upper class fiancé who would rather protect her than be her equal. Will she choose George, whom is of a lower social class than her, or Cecil, the socially acceptable wierdo? The themes of love and social status are forever present in the novel. The book is made even more enjoyable by the dry humor employed by E.M. Forster. He is so serious and sarcastic whenever he makes jokes, it makes the book all the better. I found myself loving the book mainly because of how relatable Lucy is. She is a young women trying to find herself in the midst of social pressures. Overall, I thought the book was amazing and would definitely recommend it.

Good grief, this has been my second and possibly third reading of this work (This is over quite a number of years and my long term memory is beginning to fail me...sigh), and I must say that I enjoyed it as much this go-around as I did the first. There is something about this work that simply appeals to me.Now this is not to say that it will be on every readers most favored list - no, far from it, and this is how it should be. For me thought it is an excellent read and if I last longer I will most likely read it again on down the road.This is one of those tales that touches on a wide range of the general overall human condition. It should also ne noted here that the time element covered by this novel is 1908 which is pre WWI and it IS NOT taking place during the `Victorian era' of which several reviewers have stated. No, we are talking the Edwardian era in England and while some of the morals and morays of Victorian times still linger, it is never the less a different age completely. This must be understood to understand the story.Anyway, back to the subjects covered in this work: Love, prejudices, betrayal, strong but understated humor, a snapshot of a previous era, sociological observation of the English upper middle class and of course the clashes of culture; of the rather painful differences between the perceived social classes in England at that time. It also investigates the dilemma of `self' v/s the expectations of society and family. All in all, if you look at it a certain way, not much has changed over the years and the issues addressed in this classical work are still strongly among us even to this day. It takes a long, long time for attitudes in society to fade. I know in my own case that I was raised very closely to grandparents who were as about as Edwardian as you can get and there is no doubt that their influence had a great deal in molding my personality and attitudes...for better or for worse. (Hey, I am old and yes, I can remember people of that generation quite well).We have a young lady; a young lady with brains, even though she does not realize it at the time, who is motivated and pulled apart by her true feelings and those feelings that she is either suppose to have or not suppose to have in a number of situations.Yes, the author has used a number of what we could consider stereotypes of the time but he has used them to good effect and used them to tell his story quite well. While this may bother some folks, I found it to make the overall story more understandable and easier to `go down.'This work starts in Italy and drifts back to England and again, to understand the story, you have to have some understanding of the cultural gap between England and the continent in those days. Good or bad, it was what it was.Few will deny that this is a well written work...it may not be to every ones taste, as I have stated, but good is good by most standards. I can get quite lost in the author's narrative prose and descriptive writing.I was delighted to see that this work is now free via your reading machines...it was about time.Don BlankenshipThe Ozarks

This is one of my favorite books. I read it right after watching the movie. I love both. I am a fan of E.M. Forster. This was my 1st, but I have since read most of what he has written. I would say he is one of my all time favorite writers, up there with Jane Austen, and J.K. Rowling. I tend to like either Romance or fantasy/Sci fi. E.M. Forster delivers on Romance. It is true, his books may move a bit slow for some. I prefer it. I feel like I get to know the characters in a more personal way, when I see more of their day to day in the pages. This one moves faster than his others, and is the most cheerful of all his books.The characters are written so well. Lucy is our slightly bratty main character. The mother and the brother are sweet. I love Mr Beebe: the very liberal vicar. I love George and his father. Both are romantic, manly characters. Cecil is clueless but still entertaining and lovable. I love the mischievous romance novelist. I love the Miss Alans, who I am probably most like, in the story,("tiresome... with all of their iffing and butting.") I especially love that you are still able to love all of the characters despite quite obvious flaws. None of them are one dimensional characters. They all have their bright points and redeeming characteristics. Just thinking about this book makes me smile. SPOILER: My favorite line:....................................................................................................... "It is Fate, but you can call it Italy if it pleases you Vicar."

This is another absolute gem from Forster; writing, characters and story extremely good. His common themes of class and love and a changing England get a new layer of scandal and modernity that was simultaneously surprising and absolutely natural. He was able to write in the house as a character in such a way as I was transported and didn't want to leave in a hurry. Beautiful.

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