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Ebook The Jazz Piano Book, by Mark Levine

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The Jazz Piano Book, by Mark Levine

Ebook The Jazz Piano Book, by Mark Levine

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Review

One of the best jazz piano books I've ever seen, very easy to understand. KENNY BARRON --Personal correspondenceThis is one of the finest new jazz instruction books on the market. Written by an experienced, professional jazz player, the book is practical and unpretentious, with lots of valuable information for the beginning, intermediate or advanced improviser. The informality of his style cannot hide Mark's seriousness, attention to detail and true love of jazz piano. RICHIE BEIRACH --Personal correspondenceI really like this book because it covers all the bases. An invaluable resource for any keyboard player. JAMEY AEBERSOLD --Personal correspondence

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Product details

Spiral-bound: 306 pages

Publisher: Sher Music Co.; First Edition edition (1989)

Language: English

ISBN-10: 0961470151

ISBN-13: 978-0961470159

Product Dimensions:

9 x 0.7 x 11 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

154 customer reviews

Amazon Best Sellers Rank:

#20,641 in Books (See Top 100 in Books)

I'm giving this three stars because, depending on what you're expecting it deserves either 5 or 0.If you are a relatively accomplished pianist with an understanding of theory, command of scales etc. this is an excellent compendium of jazz knowledge. Even so, it's more of a guide book than an actual method. For example, it might ht take months to digest and apply what's in the first chapter.If you're a relative beginner and want a book to get you started playing jazz piano, I would not advise. This book assumes you have a lot of knowledge already.This is not a method book by traditional definitions. As a piano teacher, I define a method as having short, easily digestible modules delivering information and giving you songs to practice those skills. This book delivers the information densely, then turns you loose to practice, more or less on your own. As an analogy, imagine a book on woodworking explaining how to make various joints, then instructing: "Okay, go build a bookcase, two desks and three china cabinets."All that said, if you do want to get serious about jazz piano, this book is indispensable.

In tandem with Levine's "Jazz Theory" book, this massive tome is a perfect Bible for beginner-to-intermediate jazz pianists. It gets you from theory to polychords, builds off of voicings and stylings by artists like Mulgrew Miller, Chick Corea, McCoy Tyner, Bill Evans, Wynton Kelly, Keith Jarrett and more, and approaches everything in bite-sized chunks that you can practice and build off of.Best advice I can offer though: take it slow, and be okay taking it slow. This is a DENSE book. You can spend a month mastering a page of material. When it comes to getting voicings, riffs, chordscale relationships etc under your fingers, there's no shortcut. There's a lot in here.

This is a great book for the serious pianist who wants to learn jazz techniques,it is not a collection of jazz sheet music.So if your style is to learn jazz while you play it, this not for you.Rather this is a jazz theory instruction book.There are only a few bars of jazz songs in here,not complete songs.

This book is awesome, but its not a walk in the park. I've been paying the piano for a long time, playing classical music for a long time that is. Even though I can play classics with little to almost no effort, I have my troubles with this book, i.e. with jazz. The trouble is not so much in the technique as it is the trouble to getting accustomed to this kind of playing. If you want to play classical music, you pick up a sheet and just play, in the sense that you read the notes and the tempo and just do it. Here, however, things are a bit different. Where in the classical world you almost brainlessly follow the rules on the sheet, here you can play many things and how it will sound is up almost entirely to you. It takes time to master the cycle of fifths for example and the music is played in a different way, that is, minimum information about what to play is given and filling in the 'gaps' is expected from the player. The content is great, in the sense of clarity and exposure of jazz in general. Conclusion : Don't expect to rush through this. Even if it seems to go a bit slower than expected, stick to it, practice the things that Mark suggests until you've mastered them (may take some time) and see yourself becoming a player that knows how to play the piano in an improvisational manner.

I have purchased at least six jazz piano books before this one. I have wanted to study jazz for a long time and I just got bored with every single book that I have tried to study with. The thing is that most authors write endless pages of chord progressions without actual song applying method. I have fake books of course but I have no way of knowing how to voice the chords written in them.I got frustrated for the longest time. I tried to study with a few teachers who recommended me to practice more inversions and exercises without any musical reference, just drills. I got bored and stopped.Finally, this amazing book was recommended to me and I smiled again. Here's the thing: Levine talks about theory, as he should, and teaches you little by little how to apply that small portion of theory towards a chord progression. Then, he adds a nice standard and teaches you how to apply that voicing to the melody in two or three different ways. For instance, he'll show you the melody of "Infant Eyes" by Wayne Shorter with basic 7th chords in a lead sheet style. Then, he'll remove the melody and writes a three voice harmony. Next page he'll add that voicing to the melody and encourages you to come up with your own voicing. Next, the same melody with voicing that includes 13th, b9, #4, and suspensions.He notates where the 9th, 11th, and all 5th are so you know what is happening. This is very helpful when you read 7 different notes in an inverted chord. He explains why he is doubling the melody or how to substitute the 7th for the 9th or the 5th for the b13, how to play the same voicing in rootless position, etc. It's a complete study on how to approach a song from different angles. Then, he continues with more harmony and standards. This is the best approach because you are learning to voice along with actual songs and not just endless drills. You are forced to think how to add the 9th or whatever according to the inversion you are playing and what the melody is doing rather than just chord progressions without any musical context.This is the best way to learn anything, period. You don't learn a new language by memorizing every verb in that language. You learn a little bit and then try to write it, pronounce it, say it slowly and then fast, etc.You'll learn a lot from this book.Before studying from this book: you must have a very SOLID understanding of music theory. You must know how to read music.I hope you enjoy it as much as I am.EB

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The Jazz Piano Book, by Mark Levine PDF