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The Art of Loving, by Erich Fromm

Free Ebook The Art of Loving, by Erich Fromm

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Review

“Every line is packed with common sense, compassion, and realism.” (Fortune)“Erich Fromm is both a psychologist of penetration and a writer of ability. His book is one of dignity and candor, of practicality and precision.” (Chicago Tribune)

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From the Back Cover

The fiftieth Anniversary Edition of the groundbreaking international bestseller that has shown millions of readers how to achieve rich, productive lives by developing their hidden capacities for loveMost people are unable to love on the only level that truly matters: love that is compounded of maturity, self-knowledge, and courage. As with every art, love demands practice and concentration, as well as genuine insight and understanding. In his classic work, The Art of Loving, renowned psychoanalyst and social philosopher Erich Fromm explores love in all its aspects—not only romantic love, steeped in false conceptions and lofty expectations, but also brotherly love, erotic love, self-love, the love of God, and the love of parents for their children.

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Product details

Paperback: 180 pages

Publisher: Harper Perennial Modern Classics; Anniversary edition (November 21, 2006)

Language: English

ISBN-10: 0061129739

ISBN-13: 978-0061129735

Product Dimensions:

5.2 x 0.4 x 7.8 inches

Shipping Weight: 0.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

363 customer reviews

Amazon Best Sellers Rank:

#12,445 in Books (See Top 100 in Books)

One of the most important books one can read, in my view. So much that I had always felt and believed about love was documented clearly and elegantly by Eric Fromm. It's amusing how one doesn't really know the ramifications, or at times even the exact substance, of their own thoughts until someone wiser than one's self puts words to these thoughts. The Art of Loving isn't a personality check list collection, relationship advice book, or a how to win friends and influence people guide ... those kinds of books will seem like trash can decorations once you've fully grasped the meaning of the material written in The Art of Loving. Said another way, this book talks about the real deal. In an age of divorce, distilled stupidity, victim mentality, and selfishness beyond comprehension this is exactly the sort of material we need to familiarize ourselves with. I can't recommend this book enough!

I read this when I was 14, and now I'm 71. I was lucky enough to meet Erich Fromm when I was 19. I wasn't expecting to meet him, but he was being interviewed on a talk show where my friends were playing the musical entertainment. He was an adorable elderly German gentleman, I was thrilled to be a le to tell him how much this book meant to me when I read it.And now, I'm going to be able to read it again!! From this end of the life span! I highly recommend this book and Fromm's other books as well....but this one for sure.....

Published in 1956, the entirety of this work postulates love as an art, one which requires practice and for it to be successful a certain degree of attained maturity. As an art it requires knowledge and effort. Fromm makes allusions to modern cultures starvation for love - `trashy songs', happy and unhappy cinema - and states that most people assume it is something we `fall into' as opposed to the more realistic `standing in' and that a `mature love is union under the condition of preserving one's integrity, one's individuality.' (265).This is certainly a difficult read if you're not prepared, if you're not to some degree `mature' as Fromm posits. Also of notable difficulty are Fromm's concern with machination, automation and the anologies he draws from the capitalistic market unto man. It's easy to see how the two correlate, and I do feel it's an apt description, but I could also see how people unobservant to how our society functions might miss the parallels. Fromm is also very concerned with parables of the religious sort, which may deter some people from investing in the work as a whole, however, remember this is about `love', first and foremost. Something we all need to remain cognizant of and practice daily.POTENTIAL SPOILERS:In popular cultural belief being lovable means an admixture between being popular and having sex appeal. But because love requires a mastery of theory and then mastery of practice it takes much work and resultantly, many failures. The third part of love, after theory and practice, is that it must be a matter of utmost concern. It requires devotion to order its success as an art. Of our culture Fromm states `in spite of the deep-seated craving for love, almost everything else is considered to be more important than love' (93). The ultimate goal of love is to overcome man's separateness from the rest of the world as `the deepest need of man, then, is the need to overcome his separateness, to leave the prison of his aloneness.' (127) Fromm also speaks about relevant psychiatric issues and drug abuses that stem from too grand a sense of isolation from fellow man and the desire, more often than not, for conformity (read `Escape from Freedom'). However, aside from connections to the world through work, play, forced adherence to societal rules, or adopting the herd mentality, `the full answer lies in the achievement of interpersonal union, of fusion with another person, in love.' (232).Object vs. function - most Western culture sees love as easy, it's the object of love which is difficult, and often transient. The true function of love is meant to be separate from the object, for a person is not a thing as we see `things' in the Western world. Because of this love is treated the same as commodities on the market - buying into the best available option, then upgrading when the time is right.Persons who `fall in love' and mistake this feeling for love, gradually begin to tire of the person and seek another such experience which they hope will endure, of this Fromm says `this type of love is by its very nature not lasting.' (74) Love is an activity, not a passive affect and it is `primarily giving, not receiving.' (286).Prerequisites of maintaining love are a capacity to love one's neighbor, true humility, courage, faith and discipline. To these are the important practicable concepts of care, responsibility, respect and knowledge. Love is one path which can be utilized to know thyself, to know some of the secrets of the individual and thereby the secrets of humankind.At the end of section one Fromm takes a shot at Freud for being too shallow, and for not investigating the occurrence of sexual-polarity present in both genders.Fromm covers:Love between parent and child - key to this notion are the ideas that a mother's love is unconditional and cannot be earned, if it need be earned then it is already gone. A child is loved because they are, because they exist, not because of any potentiality. This is part of a child's development until about the age of 10, at which point they transition to practice loving instead of just being loved. Fromm also differentiates the different types, paternal (training in the world, love on condition, `deserved' love) and maternal (again, unwarranted, unconditional love). An interesting postulate arises, that of `milk and honey' as it relates to the promised land (yes, Fromm gets quite theological at times). `Milk' is to represent the care and affirmation (a mother's milk) and `honey' is to represent the sweetness of life, the good feelings toward the world, an unjaded perspective, a happiness wrought from being alive.Brotherly love - love that is given to the whole of mankind, for we are all in this struggle together.Erotic love - that between two sexually exclusive partners, `it is also perhaps the most deceptive form of love there is.' (661) Most often after a stranger has become known and the `falling in love' phase is over, there is nothing further to learn and the relationship sputters out. For most the intimacy remains only in sexual contact. Erotic love `is exclusive only in the sense that I can fuse myself fully and intensely with one person only.' (693) It's sole premise exists in `that I love from the essence of my being - and experience the other person in the essence of his or her being.' (696) Loving a single person in this manner is a choice, a judgment and a promise, and because of the highly differentiated aspects between certain individuals and because of this Fromm states that an individual is neither wrong nor right in maintaining or dissolving a relationship that presents as unsuccessful.Self-love - This is not to be confused with egoism or narcissism. To adequately love anybody, we must also and foremost love ourselves. It is not a crime to do so and in fact, if we don't love ourselves we are completely incapable of loving anybody else maturely - `love toward themselves will be found in all those who are capable of loving others.' (738)Love of God - Fromm differentiates between the matriarchical and patriarchical forms of religion, with the matriarchy coming first. This again references the types of love each God would distribute toward his `children'. Fromm himself postulates that God is a non-interventionalist, and that most mature people would see it this way. He also delves into the paradoxical logic of being and not being at the same instance, an impossibility using rational, stereotypical logic. Most importantly, regarding religion and love in general - `a knowledge not in right though but in right action' is the way in which to determine all proper motive. In our Western culture, belief in God is a thought process, much less an action process.Section III: The Disintegration of Love in the Western SocietyFurther elaborates upon the notion of love as a commodity which can be exchanged and traded much like current market trends. Fromm also touches upon the general disconcertion people have toward being alone, but failing to realize that from this place, only, can they truly love another person. Fromm also makes sure to point out that sex IS NOT love, nor is viewing a relationship as `team-work'. Disipline, concentration and patience and a great sense of humility are necessary here, as in love with all mankind.Most importantly all of this practice requires faith. The ability to step outside yourself, release your story and just believe, blindly... very hard to do, must needs practice, hence love surely is - an art.Quotes:`There is hardly any activity, any enterprise, which is started with such tremendous hopes and expectations, and yet, which fails so regularly, as love.' (79)`Love is the active concern for the life and the growth of that which we love. Where this active concern is lacking, there is no love.' (338)`One loves that for which one labors, and one labors for that which one loves.' (349)`Mature love says: I need you because I love you.' (514).`If I truly love on person I love all persons. I love the world, I love life. If I can say to somebody else, "I love you". (584)`One other frequent error must be mentioned here. The illusion, namely, that love means necessarily the absence of conflict.' (1255)`Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict, joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence' (1265)

Fromm's theory of love is thought-provoking and disheartening. I don't know that I agree 100 percent with his theory, but it certainly inspires me to move forward with some change in my own life. I find it incredible how relevant his analysis of society continues to be. He must be rolling in his grave over how disconnected western society has become to meaningful, focused, face-to-face interaction.

This book contains some interesting insights, but unfortunately mixed with some vile personal prejudices of the author, especially his irrational belief that people who are not heterosexual cannot experience "real" love. It's all the worse because book tastemakers, and now a new publisher, portray Fromm as some wise Guru. He was part of psychological community that declared homosexuality to be mental illness, and he makes it quite clear in the book that he was very sure of himself on this point.So while I say the book seems to have some interesting insights, Fromm's obvious prejudice gives readers good reason to be skeptical of an author claiming to have radical insights into love, who is so utterly devoid of understanding for anyone who doesn't share his sexual preferences.

Fromm is incredibly appealing to read because he is genuinely compassionate and loves people – all people. In fact, that’s one of his points from The Art of Loving: you can’t love one person if you don’t love all people – because what you love is the humanity itself, as manifested in a specific psyche. Sounds like hippie talk, but it’s anything but: Fromm minces no words and gives no feel-good sermons. In The Art of Loving he cuts straight to the point of what love is: it’s not something you feel – it’s something you do. Maybe a little anticlimactic for “solving” love’s grand mystery, but Fromm pretends no such thing. The “doing” that love is – is the mystery. What Fromm explains in a perfectly accessible way is that what you should focus on is how you impact people’s lives, how you enrich them with your love – not how they make you feel. But that impact of love – preserves all the grandeur and all the mystery.I have known a few people who don’t normally read serious psychology whose lives were transformed by Fromm’s forthright manner of letting you understand things in a new way. I myself found a few of the maxims from The Art of Loving – the most concise summary of so many things in life: ones to keep in my own memory and to remind others of when they need to hear the right words to carry on.

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PDF Ebook 50 Things to See with a Telescope: A young stargazer's guide

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50 Things to See with a Telescope: A young stargazer's guide

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Review

"One of the most challenging things about the night sky is that it's always moving, with different objects to see in each season. John's done all the hard work, he tells you exactly what you should be seeing no matter what time of the year you're out, under the stars." - Fraser Cain, Founder of Universe Today and co-host of Astronomy Cast"This book is perfect for the first-time telescope user of any age. It's attractively laid out, uses plain language, and is good for reading, browsing, or reference. I wish I had a book like this when I was a 10-year-old kid with my first telescope!" - Dave Chapman, Emeritus Editor, RASC Observer's Handbook (2012-2016)

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About the Author

JOHN A. READ volunteered at hundreds of stargazing events as a member of the Mount Diablo Astronomical Society in California, teaching people of all ages how to use a telescope and find objects in the sky. A student of astrophysics at Saint Mary's University, John now volunteers at the Burke-Gaffney Observatory and with the Halifax Centre of the Royal Astronomical Society of Canada. He lives in Halifax, Nova Scotia.

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Product details

Paperback: 72 pages

Publisher: Stellar Publishing (August 23, 2018)

Language: English

ISBN-10: 1732726108

ISBN-13: 978-1732726109

Product Dimensions:

8.5 x 0.2 x 8.5 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#19,986 in Books (See Top 100 in Books)

Wow, I'm amazed by this book. My young daughter got a 130mm Newtonian reflector telescope for Xmas and given we've never had a telescope before, we've been feeling a bit lost and overwhelmed with the amount of information found on astronomy websites and forums.This book was our savior: it's simple and objective, with the essential information for a beginner to perform their first steps stargazing. The perfect companion for our first telescope.The book is well illustrated and sets the expectations right for what one can see with a small telescope under different sky conditions in the northern hemisphere. It also contains a chapter about gear essentials.In summary: If you've just bought or are about to buy your first telescope to explore the sky with kids, I can't recommend this book enough.

I bought it for an 11-year old granddaughter, but I'm enjoying it, too.

Great. Helpful

Great starter book.

Great book for a beginner.

Kool book!!

If you want to look across a lake or watch bird, it is fine. Returned for a higher output telescope.

Stargazing is a wonderful and rewarding hobby that many people enjoy, but at the same time, miss out on what can really be seen in the night sky. Without an experienced guide to show a beginner the ropes, many new telescopes only make it out under the stars a few times before they find their way into the closet, never to see the night sky again. “50 Things to See with a Telescope: A young stargazer’s guide” provides that experienced guide to help a new astronomer along at their own pace. It has a wealth of information, but avoids being overly technical, so is easy to understand. It covers all of the topics needed from becoming familiar with the sky and how it changes over the seasons, to choosing and using a first telescope, and charts to locate your first 50 objects. It also includes essential but easy to use methods to find the objects and photos that show you what you can expect to see through the eyepiece. I would recommend that anyone wanting to get into the hobby of amateur astronomy, or giving a telescope to a teen or preteen, get a copy of this book. It will give you the tools needed to get the most from your investment.(Received an advance copy from the author.)

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Paperback: 54 pages

Publisher: Independently published (February 25, 2019)

Language: English

ISBN-10: 1797985396

ISBN-13: 978-1797985398

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6 x 0.1 x 9 inches

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HOW TO GET ALONG WITH YOUR CO-WORKERS : LEARN HOW TO DEAL WITH THE PEOPLE YOU WORK WITH, ACTIVITIES TO IMPROVE WORKING RELATIONSHIPS PDF

HOW TO GET ALONG WITH YOUR CO-WORKERS : LEARN HOW TO DEAL WITH THE PEOPLE YOU WORK WITH, ACTIVITIES TO IMPROVE WORKING RELATIONSHIPS PDF

Download Ebook , by Lynn H. Nicholas

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, by Lynn H. Nicholas

Download Ebook , by Lynn H. Nicholas

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Product details

File Size: 4394 KB

Print Length: 512 pages

Publisher: Vintage; Reprint edition (December 18, 2009)

Publication Date: December 22, 2009

Language: English

ASIN: B00317G7O2

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Amazon Best Sellers Rank:

#270,003 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

After seeing the fascinating documentary of the same name, I was excited to find that it was based on this book. I have found this book absolutely absorbing. It is densely packed with intriguing information and detail. Ms Nicholas writes in a manner that makes the subject matter unfold almost like a thriller. Even portions of information that one may deem dry come across in an interesting way. One issue however: I sometimes struggled to keep names in order--there is a large cast of art dealers, Nazis, etc. This may not be a problem for you. I love art, and have found this telling of a rarely discussed part of WWII (I knew almost nothing about it) very interesting and educational; it really broadens your scope of the art world and even the second World War. If you like art, art history, the history of WWII, or are simply looking for a fascinating (true) yarn, The Rape of Europa is an excellent choice. I highly recommend it. Also, if you have seen the documentary but have not read the book, I would encourage you to still read it; it covers significantly more than the documentary is able to.

UPDATE (July 20, 2016): I ended up putting down this book about 1/3 of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practically writing a compendium. There are so many ways the author could have assisted the reader but essentially reading this book becomes a research project. I'd like to think that I'm smarter than the average bear but I think this book is aimed at a demographic of people who have advanced knowledge. I often wondered if this was a PhD thesis converted into a book marketed for the general population. There is a companion film of the same name which is very good and is why I wanted to read this book. But despite the usual saying that the book is always better than the movie, this is the exception and it pains me to say that.Original Review: I am still in the beginnings of this paperback book. The subject matter is really intriguing and not until I saw the film (a few years back) based on the book did I give this subject much thought. After watching the movie I wanted to read the book, but unless you have a base knowledge of the art that the writer discusses or a good memory of the film which showed the art in question, then you are left to looking it up to have a fuller understanding. Also, separate knowledge of not only the major but also minor Nazis will make this book a fuller read. I don't normally need " pretty pictures" in my reading, but given the subject matter and the myriad of players involved, photos of at least the main surviving works mentioned and a short bio of the people involved you could flip back to. Unless detailed notes are provided by the author, I guess this is where reading on a Kindle or other book reader makes it easier because you can quickly and more easily flip back to your notes and highlights - which is what I normally do whenever a new person or character is introduced as a helpful guide for me because since I've become disabled I am a slower reader without the greatest of retention (not only in pace I read but also the amount of time I can spend reading at one sitting has greatly diminished). After reading a couple Kindle books, I usually find myself wanting the "feel" and "smell" of a good book in my hands so I will switch to a printed book. I wish I had chosen the Kindle version over print for this particular book. While the writing and subject is 5 star, I knocked off a star for the reasons mentioned above and really it is because of my own peccadillo. I don't know if the author couldn't get the rights (which is hard to believe) to include photos of at least the major art works, but it and a short bio in the Addendum (including the artists involved since I don't know a lot about Germanic art) would have made this book richer and given the reader a deeper reading experience and not left them wanting.

Nicholds book was the initial history of the Nazi looting of Europe's treasures, for the most part from the homes of Jewish art collectors and commoisseurs, as well as hundreds of churches and synagogues (the shelves upon shelves of gold menorahs in the documentary on the book is startling). Winner of the National Book Critics Award, the subsequent book by Robert M. Edsel is a barely disguised copy of Lynne Nichols research and scholarship that revealed the extent of the "industrial looting" (Nichols' apt term)of Hitler's officer art "korps." The OSS-attached group of American officers, led by scholarly art historians, future museum directors, future art critics, and hundreds of other enlisted U.S. soldiers (one of which took part in looting the found treasures) were themselves overwhelmed by the irreplaceable works hidden throughout, mostly, caves and railroad tunnels in southern Germany, and oneremote castle. The PBS documentary that was produced based on Lynne Nichols' book is far superior to the recent "Monuments Men" film, which tries futilely to make a "story" out of the realism of the period. The reluctance of the Vienna State Museum to return the paintings of Gustav Klimt to the relatives of the Bloch family is, in itself, an indictment of the twisted arguments given bythose who collaborated with the Nazi looters.

I have first encountered this book a few years ago at the Yad Vashem museum shop. Our guide told us that Yad Vashem considered this particular book to be the best record of stolen artwork by Nazi Germans. I was delighted when it came out in Kindle edition.First, I have to highly commend the author on the fantastic research she has done. She has focused not only on thefts from the famous museums such as the Louvre and the Uffizi but also on private collections and smaller art galleries. She has also done justice to accurate portrayls of each of the so-called "art experts" in Nazi Germany Second, the hypocricy of some of the Nazi leaders is so blatant: first, they host an exhibition of degenerative art and then they secretly go on to buy or steal some of the same art.This book can serve as an excellent textbook across several disciplines: art history, criminology, forensic science, not to mention political analysis of Nazi-occuppied Europe.

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