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Howards End (Barnes & Noble Classics)

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About the Author

Mary Gordon is a McIntosh Professor of English at Barnard College. Her best-selling novels include Final Payments, The Company of Women, and Spending. She has also published a memoir, a book of novellas, a collection of stories, and two books of essays. Her most recent work is a biography of Joan of Arc.

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Excerpt. © Reprinted by permission. All rights reserved.

From Mary Gordon's Introduction to Howards End Howards End is a novel for the likes of us. That is to say, for you and me: you because you have bought this particular book, and I because I am writing about it, and because I love it. You may be buying the book for a variety of reasons; you may be in a train station or an airport or browsing in a bookshop on a rainy day, hoping for many things: enlightenment, friendship, amorous adventure, cappuccino. You may want to chip away at that mountain of the canon you have not read. You may be buying it because you must, because you have been told by a teacher that Howards End is something you must read in order to pass a course. But however disparate all our motives are, whether our relationship to the book is, like mine, that of a loving old friend, or perhaps as yours may be, as a fearful or hopeful or wary stranger, Forster makes us a "we" with the novel's very first sentence: "One may as well begin with Helen's letters to her sister." We are part of a company; it is a formal one to be sure-the impersonal pronoun "one" is used, but the "we" is implied, because we are being shown something intimate, domestic-Helen's letters to her sister. We don't know Helen's last name, or anything about her, but we are immediately included in her private life. Yet the first sentence of her letter to Meg might serve as a warning to readers who are about to become one of the Howards End "we": "'It isn't going to be what we expected.'" Edward Morgan Forster lived a life devoted to the ideas of decency, humaneness, the civilized private life in which the disparities of the human condition might be resolved by honesty and goodwill. At the same time, he was aware of the dark goblins that Helen, and Beethoven, found in the symphony that forms a meditation in the beginning of Howards End. Tragedy struck Forster's life early; his father died in l881, when he was only two; he was brought up by a mother and aunts, lived quietly with them until he was exiled to public school, a nightmare for him. Rescued by the University of Cambridge, he was taken up by a brilliant group of young men (among whom he was considered one of the least brilliant) who gathered around the philosopher G. E. Moore. Moore's ideas stressed the primacy of personal relations and the appreciation of beauty in a good life. The members of this group included Lytton Strachey, John Maynard Keynes, and a Liverpool Jew named Leonard Woolf who would marry Virginia, sister of another member, Toby Stephen. He studied the classics; traveled, particularly to Italy; sought minor employment. Between 1903 and 1910 he wrote four novels: A Room with a View, The Longest Journey, Where Angels Fear to Tread, and Howards End. He finished a novel about homosexuality, Maurice, in 1913, but did not publish it in his lifetime. There was, therefore, a publication lapse of fourteen years, and then in 1924 A Passage to India. And then no novels for the rest of his long life. He was made a member of King's College, Cambridge, and died there in 1970. How to explain the early prodigiousness, followed by the long silence. Is it that the world he knew was erased by the trauma of World War I? Virginia Woolf assures us in her essay "Mr. Bennett and Mrs. Brown" that in December 1910, human nature changed. Did the change paralyze him? Or was it that he felt silenced by his inability to write honestly about homosexual life? Howards End was published just before Virginia Woolf's December 1910 sell-by date, so perhaps the assurance of the voice is the assurance of the full maturity of a way of life that knows itself about to be obsolete.

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Product details

Paperback: 334 pages

Publisher: Barnes & Noble Classics (June 1, 2003)

Language: English

ISBN-10: 1593080220

ISBN-13: 978-1593080228

Product Dimensions:

5.2 x 0.9 x 8 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

765 customer reviews

Amazon Best Sellers Rank:

#1,928,747 in Books (See Top 100 in Books)

A Room with a View is a great novel that offers insight into society during the early twentieth century. From the beginning of the book, Lucy Honeychurch, the protagonist, is torn between what is socially acceptable. This is illustrated by the love triangle between Lucy, George (her true love), and Cecil (her fiancé). George is of a lower class than her, and yet, he is the one she truly loves. Cecil is her pretentious, upper class fiancé who would rather protect her than be her equal. Will she choose George, whom is of a lower social class than her, or Cecil, the socially acceptable wierdo? The themes of love and social status are forever present in the novel. The book is made even more enjoyable by the dry humor employed by E.M. Forster. He is so serious and sarcastic whenever he makes jokes, it makes the book all the better. I found myself loving the book mainly because of how relatable Lucy is. She is a young women trying to find herself in the midst of social pressures. Overall, I thought the book was amazing and would definitely recommend it.

Good grief, this has been my second and possibly third reading of this work (This is over quite a number of years and my long term memory is beginning to fail me...sigh), and I must say that I enjoyed it as much this go-around as I did the first. There is something about this work that simply appeals to me.Now this is not to say that it will be on every readers most favored list - no, far from it, and this is how it should be. For me thought it is an excellent read and if I last longer I will most likely read it again on down the road.This is one of those tales that touches on a wide range of the general overall human condition. It should also ne noted here that the time element covered by this novel is 1908 which is pre WWI and it IS NOT taking place during the `Victorian era' of which several reviewers have stated. No, we are talking the Edwardian era in England and while some of the morals and morays of Victorian times still linger, it is never the less a different age completely. This must be understood to understand the story.Anyway, back to the subjects covered in this work: Love, prejudices, betrayal, strong but understated humor, a snapshot of a previous era, sociological observation of the English upper middle class and of course the clashes of culture; of the rather painful differences between the perceived social classes in England at that time. It also investigates the dilemma of `self' v/s the expectations of society and family. All in all, if you look at it a certain way, not much has changed over the years and the issues addressed in this classical work are still strongly among us even to this day. It takes a long, long time for attitudes in society to fade. I know in my own case that I was raised very closely to grandparents who were as about as Edwardian as you can get and there is no doubt that their influence had a great deal in molding my personality and attitudes...for better or for worse. (Hey, I am old and yes, I can remember people of that generation quite well).We have a young lady; a young lady with brains, even though she does not realize it at the time, who is motivated and pulled apart by her true feelings and those feelings that she is either suppose to have or not suppose to have in a number of situations.Yes, the author has used a number of what we could consider stereotypes of the time but he has used them to good effect and used them to tell his story quite well. While this may bother some folks, I found it to make the overall story more understandable and easier to `go down.'This work starts in Italy and drifts back to England and again, to understand the story, you have to have some understanding of the cultural gap between England and the continent in those days. Good or bad, it was what it was.Few will deny that this is a well written work...it may not be to every ones taste, as I have stated, but good is good by most standards. I can get quite lost in the author's narrative prose and descriptive writing.I was delighted to see that this work is now free via your reading machines...it was about time.Don BlankenshipThe Ozarks

This is one of my favorite books. I read it right after watching the movie. I love both. I am a fan of E.M. Forster. This was my 1st, but I have since read most of what he has written. I would say he is one of my all time favorite writers, up there with Jane Austen, and J.K. Rowling. I tend to like either Romance or fantasy/Sci fi. E.M. Forster delivers on Romance. It is true, his books may move a bit slow for some. I prefer it. I feel like I get to know the characters in a more personal way, when I see more of their day to day in the pages. This one moves faster than his others, and is the most cheerful of all his books.The characters are written so well. Lucy is our slightly bratty main character. The mother and the brother are sweet. I love Mr Beebe: the very liberal vicar. I love George and his father. Both are romantic, manly characters. Cecil is clueless but still entertaining and lovable. I love the mischievous romance novelist. I love the Miss Alans, who I am probably most like, in the story,("tiresome... with all of their iffing and butting.") I especially love that you are still able to love all of the characters despite quite obvious flaws. None of them are one dimensional characters. They all have their bright points and redeeming characteristics. Just thinking about this book makes me smile. SPOILER: My favorite line:....................................................................................................... "It is Fate, but you can call it Italy if it pleases you Vicar."

This is another absolute gem from Forster; writing, characters and story extremely good. His common themes of class and love and a changing England get a new layer of scandal and modernity that was simultaneously surprising and absolutely natural. He was able to write in the house as a character in such a way as I was transported and didn't want to leave in a hurry. Beautiful.

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