Download PDF Dada in Paris (The MIT Press), by Michel Sanouillet

Download PDF Dada in Paris (The MIT Press), by Michel Sanouillet

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Dada in Paris (The MIT Press), by Michel Sanouillet

Dada in Paris (The MIT Press), by Michel Sanouillet


Dada in Paris (The MIT Press), by Michel Sanouillet


Download PDF Dada in Paris (The MIT Press), by Michel Sanouillet

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Dada in Paris (The MIT Press), by Michel Sanouillet

Review

It is Sanouillet's exhaustive approach and painstaking attention to detail, coupled with the obvious pleasure he gained from his research that makes this excellent translation a must for any Dada fan who has not read it in the original language.―The Art Newspaper

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Review

An illuminating account of the ragged emergence and decline of Dada in the Parisian literary world, and the volatility of the human relationships behind the magazines 391, Dada, and Literature in particular.―Clive Phillpot, freelance writer and curator, and former art librarianTzara famously declared that 'Dada is not modern'; Michel Sanouillet's history of its most fruitful and tumultuous years is for its part timeless. This classic study takes its place alongside Hans Richter's Dada: Art and Anti-Art and Robert Motherwell's The Dada Painters and Poets as an indispensable reference for any serious Dada-watcher. The lengthy appendix of correspondence alone is worth the price of admission but Dada in Paris offers much more than that: having sifted through mountains of unpublished and archival documents Sanouillet has crafted a detailed nuanced astute and even (appropriately) humorous account of Dada's migration to France, its guerrilla blitz against the status quo, and its formative impact on decades of intellectual life. The French edition of Dada in Paris has well withstood the test of time; its publication in English arrives not a moment too soon.―Mark Polizzotti, author of Revolution of the Mind: The Life of Andre BretonSanouillet's Dada in Paris is rigorous history while managing to be simultaneously voluptuous like a bath and thrilling like a tabloid. The enormous research and detailed scholarship of Dada's crucial Paris years unfolds here with a joie-de-vivre possible only by having an artist-in-residence, a feat that Sanouillet accomplishes with grace and verve. Short of having experienced 1921 in Paris at the side of Tristan Tzara, I can't think of better company than this dream-inducing thriller, document, and love fest. Like Dada itself, Sanouillet married incompatibles and created a text that resounds with the urgent concerns of the twenty-first century. Dada's timeless time beats are impossible to ignore now.―Andrei Codrescu, author of The Posthuman Dada Guide: Tzara and Lenin Play Chess

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Product details

Series: The MIT Press

Paperback: 720 pages

Publisher: The MIT Press; Revised, Expanded ed. edition (September 14, 2012)

Language: English

ISBN-10: 026251821X

ISBN-13: 978-0262518215

Product Dimensions:

7 x 1.4 x 9 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,728,193 in Books (See Top 100 in Books)

The absolutely indispensable book on this topic, though very scholarly and perhaps not for the beginner seeking an introduction to Dada. A big bonus is the transcribed contemporary correspondence of all the key players...Tzara, Picabia, Breton and many more, in a large appendix comprising a third of the book. Voluminous notes further enlighten with exacting detail, and an exhaustive bibliography includes nearly every title of interest on Dada, plus all the cited journals of the period. I only wish there was a section of plates -- documentary photographs, images of the journals, artworks discussed, etc...though of course Google can bring these up fairly easily in most cases. The bibliography also includes web sites with pertinent images and info for further exploration.

.......You'd think funny Dada annecdotes would be 10 a penny, but this dry, dull slog through the various exhibits and pamphlets of long ago offers up not a single smile. It's a reprint of an older text and big news for boring scholar types to finally be able to get this translated from the orginal french. But general art history fans will feel fairly tortured.Love the cover, though.

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